All HOGARTH, William Oil Paintings

British Painter and Printmaker, 1697-1764 English painter and engraver. He played a crucial part in establishing an English school of painting, both through the quality of his painting and through campaigns to improve the status of the artist in England. He also demonstrated that artists could become independent of wealthy patrons by publishing engravings after their own paintings.
 
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HOGARTH, William An Election Entertainment f oil on canvas


An Election Entertainment f
An Election Entertainment f
Painting ID::  7498 		  1754 Oil on canvas, 100 x 127 cm Sir John Soane's Museum, London
  1754 Oil on canvas, 100 x 127 cm Sir John Soane's Museum, London

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HOGARTH, William Soliciting Votes s oil on canvas


Soliciting Votes s
Soliciting Votes s
Painting ID::  7499 		  1754 Oil on canvas, 101,6 x 127 cm Sir John Sloane's Museum, London
  1754 Oil on canvas, 101,6 x 127 cm Sir John Sloane's Museum, London

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HOGARTH, William The Marriage of Stephen Beckingham and Mary Cox f oil on canvas


The Marriage of Stephen Beckingham and Mary Cox f
The Marriage of Stephen Beckingham and Mary Cox f
Painting ID::  7500 		  c. 1729 Oil on canvas, 128,3 x 103 cm Metropolitan Museum of Art, New York
  c. 1729 Oil on canvas, 128,3 x 103 cm Metropolitan Museum of Art, New York

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HOGARTH, William Marriage a la Mode 1 oil on canvas


Marriage a la Mode 1
Marriage a la Mode 1
Painting ID::  7501 		  c. 1743 Oil on canvas, 70 x 91 cm National Gallery, London
  c. 1743 Oil on canvas, 70 x 91 cm National Gallery, London

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HOGARTH, William Marriage a la Mode 4 oil on canvas


Marriage a la Mode 4
Marriage a la Mode 4
Painting ID::  7502 		  1743 Oil on canvas, 70 x 91 cm National Gallery, London
  1743 Oil on canvas, 70 x 91 cm National Gallery, London

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     HOGARTH, William
     British Painter and Printmaker, 1697-1764 English painter and engraver. He played a crucial part in establishing an English school of painting, both through the quality of his painting and through campaigns to improve the status of the artist in England. He also demonstrated that artists could become independent of wealthy patrons by publishing engravings after their own paintings.

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